Movie Review: Francis Ford Coppola's 'Megalopolis' is a wild fever dream of excess and idealism

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Movie Review: Francis Ford Coppola's 'Megalopolis' is a wild fever dream of excess and idealism
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Their Romeo-and-Juliet love story is labored, to say the least

The legendary filmmaker spent decades on this Roman-style epic, set in the present day, about a civilization on the brink of collapse. A wealthy and powerful few of the old guard are running the gilded city of New Rome into the ground, a new generation is embroiled in a stalemate of a culture war between hedonists and puritans and a visionary architect caught in the middle is dreaming up a different future.

If there is a center to this story it’s Adam Driver’s Cesar Catilina, an artist who can stop time and who believes that a substance called Megalon, a shimmering people mover that can be used to make a translucent dress or reconstruct a face mangled by a gunshot, is the way to a utopia.

That’s not to say that all the actors wither under the excess. The great Talia Shire, as Cesar’s cold mother, does more than either Driver or Emmanuel, with just a handful of lines and scenes. Jason Schwartzman is around . There’s a pop star named Vesta Sweetwater who has taken a virginity pledge. Even Romy Mars plays a teen reporter!

ہم نے اس خبر کا خلاصہ کیا ہے تاکہ آپ اسے جلدی سے پڑھ سکیں۔ اگر آپ خبر میں دلچسپی رکھتے ہیں تو آپ مکمل متن یہاں پڑھ سکتے ہیں۔ مزید پڑھ:

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